Franz, Adrian and Anastasia stumble through a world without consequences. They spend their time with visits from expensive flats by simulate interest to pay out of the pocket, pine-OPs, Triangle lessons, incest and poetry slams. Your search for identity degenerates to finding the right matching role. Frontal cotton is available as on stage with bandages on the palate.
The movie Frontalwatte starring Franz Rogowski, Gabi Heart, Martina Schöne-Radunski, Tom Lass etc. was the first movie directed by Jakob Lass in 2011 – before Love Steaks and Tiger Girl.
Theatrical release date: 14th of July 2016. For more information, please visit: www.darling.berlin.de.
Our Darling Berlin movie “Love Steaks” will be broadcasted on EinsPlus tonight (Friday, June 12th) at prime time and one of Germany’s leading TV guide magazines “TV MOVIE” has picked Love Steaks as their insider’s tip!
Love Steaks was nominated even twice – not only director Jakob Lass was nominated for Best Feature Film Debut, also producer and composer Golo Schultz was honored with the first nomination for Best Soundtrack in his career. Congratulations to both nominees from our side and we wish great success at the award ceremony! The German Film Critics’ Association will award the prizes at the Berlinale on Monday, 9th February 2015 in the presence of the nominees and award recipients. The prize is being awarded in 12 categories to German films which were screened in cinemas during the past year.
The German Film Critics’ Award was first awarded in 1954 and is the only German film prize that is awarded solely by film critics. It does not consider economic, regional or political but only creative criteria and is thus an award with a large reputation.
The turbulent relationship between Oskar and Alex ends in a big blaze, Alex has set in Oskar’s apartment. So Oskar decides that everything shall be different with the next one and he makes a deal with fun-loving Masha: sleeping together but no making love. They both drift through Berlin and through their lives, sometimes playful, sometimes obsessively. And even Masha has her issues. While trying to build up a “normal” relationship, both Masha and Oskar reach their limits.
Tom Lass was born in 1983 in Munich. He began his acting career at the age of 10 and has been involved with over 50 film and television projects since. In 2005, Lass also began working behind the camera as a production assistant and operator, and more recently as a production and set manager. He and his brother Jakob Lass co-founded the film production company LASS BROS. In 2008, Lass completed his first short film “0 + 0 = 1” and continued to shoot more. His first feature length film was the award-winning “Papa Gold”, which he has followed up with his second feature film “Kaptn Oskar”. “Kaptn Oskar” most recently received the main award at the Oldenburg Film Festival and his lead actress got the Seymour Cassel Award for “Outstanding Performance”.
Some comments from the press about „Kaptn Oskar“:
“With images of touching poetry and tenderness, there are not more than a few love scenes in German cinema that can compete with this little gem.” (3sat (German Culture TV)
“Reminds one of the American Mumblecore movement or the reluctant French cinema of the 1960s.” (Josef Lommer, film critic)
“I consider “Kaptn Oskar“ the most exciting movie since Dominik Graf’s „In Face of a Crime“. (Klaus Lemke, German cult director)
“So tender, ambivalent and fragile, as only real life can be. A must-see! In German cinema, „Kaptn Oskar“ is without equal.” (Kulturnews)
More Information: Kaptn Oskar Homepage.
Denny is living the high life in Berlin and is having sex with a lot of girls. Denny got a mother. This mother just got a new husband: Frank. Denny hasn’t talked to his mother in 10 years. Frank wants to change this. He takes a train to Berlin. Who’s gonna be the first to mature?
Tom Lass, the director of the movie, began his acting career at the age of 15 in Munich. Since then he has participated in more than 40 film and TV projects. In 2005 he began to start looking behind the scenes by working as a production assistant. He made his first experiences with the concept of improvising in film as an actor with the short feature film „Quiet Spring“ that was released in 2007. Tom finished his first short film „0+0=1“ as a director in 2008 and founded a production company together with his brother Jakob Lass, “Lass Bros”. He became more and more convinced by improvisation – making films without script – that he tried it himself in his first feature film „Papa Gold“, that won the film critic’s prize at the Achtung Berlin film festival in 2011. Tom works and lives in Berlin.
Director Jakob Lass tells his story in rapidly changing images that drag the viewer in the characters’ life in an almost hallucinatory way, and he doesn’t shy away from humor, too. „Love Steaks“ is a nice example for the fact that many movies are created at the editing suite, as the editing work is the most inspiring time for many directors. If the material that was created in the making of the film is so rich and colorful that it inspires the editor to new highs, movies are created, of such density and suggestive force that the audience forgets the cinema surrounding. „Love Steaks“ is “not only a movie but a gift to the audience which is simply brimming over with energy, enthusiasm, colors and love, and shows once again what cinema is able to achieve”, the Saarbrücken jury explains its decision.
„Love Steaks“ has won all four advancement awards at the Filmfest Munich for the first time in history, namely “Best Movie”, “Best Production”, “Best Theatrical Performance” and “Best Script”, it was awarded the Max-Ophüls-Preis at the Saarbrücken Film Festival in 2014 and it caused a sensation at several film festivals around the world (Slamdance, Karlovy Vary, Montréal et al.). For the label Darling Berlin and as the distributor, daredo is more than happy for the team winning all this prizes! Finally, „Love Steaks“ was also nominated for the German Filmpreis 2014.
Some comments from the press about „Love Steaks“:
“Love Steaks“ is characterized by a nice schizophrenia of spontaneity and calculation, that testifies much more of a maverick approach to making movies than many other German newcomer hits have, that are also dealing with exploring the lifeworlds of Twenty- and Thirtysomethings. Just because the movie doesn’t follow the Hipster idea of stylizing the Zeitgeist but rather is dragging its style out of the Zeitgeist.” (Süddeutsche Zeitung)
“The hidden but relentless triumphal march of “Love Steaks“, the wittiest German comedy of the season, reminds of what happened to „Oh Boy“ two years ago, and to „Kohlhass“ last summer: finally, we have again popular movies that were not made from the willingness to compromise but from uncompromisingness.” (Franfurter Rundschau)
“Love Steaks“ opens the windows wide and admits reality to come in. And not this German pseudo-realism in movies, somewhere in between commercials and TV series, that is often so frustrating, but a virtually overwhelming here and now.” (Spiegel)
“Cinema as such cannot be more unpredictable and exciting!” (Cinema Magazine)
“Ingeniously improvised – this movie hits you right between the eyes!” (TV Spielfilm Magazine)
“„Love Steaks“ impressively shows that the Nouvelle Berlin Vague is definitely something to reckon with in the future.” (Zitty Magazine, Berlin)
“He and his team call it Fogma – the self-given rules that forbid artificial elements such as studio shoots but give room to spontaneity in order to let the ‘flow’ emerge. Which works perfectly here. To see how Lara and Clemens attract and repel each other is comical, touching and moving at the same time, it comprises an explosive force rarely to be found in movies.” (AZ, Munich)